In the studio today.
On the easel is a 40" x 40" corporate commission completed today. On the upper left is a work in progress, 3' x 5' and below it is a oil I'm reworking (Bright Flow, 3' x 5') and I'm very happy with the result. On the floor, right is a red 4' x 5' oil in progress. Up on the easel, right is a 20" pastel study for an oil yet to be born. It was a very busy day and good progress was made on all fronts. Note that the oils are tipped into the gold 'floater' frames. It helps to see them in the frames sometimes.
Ken Elliott Fine Art works in oil, pastel, monotype and signed, limited edition giclees.
Tuesday, March 12, 2013
Tuesday, February 19, 2013
Workshop: Houston April 6-7, 2013
Ken Elliott
Making it Fine Art Workshop
Houston Sat-Sun, April 6-7, 2013
view flyer
Ken will be discussing strategies for making fine art and taking your art to the next level.
In his workshop:
This workshop is open to artists are all skill levels. Ken will discuss strategies for creating better artworks with a variety of common and creative tools. The workshop will focus the strategies for making better paintings, going to new places in your work and how to make fine art. Much attention will be given to improving your own artworks and career.
This workshop is open to artists are all skill levels. Ken will discuss strategies for creating better artworks with a variety of common and creative tools. The workshop will focus the strategies for making better paintings, going to new places in your work and how to make fine art. Much attention will be given to improving your own artworks and career.
Ken will demonstrate painting using oil and pastel. He will discuss the idea of making strong starts and keeping the way open for more interesting and dramatic finishes. Ken is a very hands-on teacher, so there will be some collaboration if you are open to it.
In addition, Ken will talk about business and promotion, necessary to being a successful artist in the marketplace.
There will be serious discussions, laughs and your questions. We will all come away with new tools to take your art to the next level.
Complete info on my website.
Location: Mixed Emotions Fine Art and Framing
95 Tuam St. Houston, TX 77006 map
713-861-9666
Open to artists of all skill levels
11-5pm with after class discussions off-site? Dinner, etc?
This workshop is limited to a small number of artists and it will fill up quickly!
Other Workshops 2013:
Tentative plans are in the works for two-day formal painting and pastel workshops in 2013: Denver May, Austin, Cape Cod, Atlanta, Ventura County, CA and New York. Two-day workshop: $225. per person.Some of you are interested in my traveling to your locale this year. Please give me a call and let's make it happen in your state.
Monday, February 18, 2013
Workshop: Via Picasso - Art Materials, don't let them get in the way.
There are a lot of ways to make art with endless materials not always found in the art store. It's healthy to see what other artists use for materials, but make sure that they are archival enough to stand the test of time. You may be making masterpieces, so don't shoot yourself in the foot!
Masterpieces Made With House Paint
New York Times
By Douglas Quenqua
By Douglas Quenqua
Published: February 18, 2013
Scientists using a high-energy X-ray instrument say they
have solved the long-running debate over what kind of paint Picasso used in his
masterpieces.
It was common house paint, said Volker Rose, a physicist at
the Argonne National Laboratory who led the study, published in Applied Physics
A: Materials Science & Processing.
“We were looking into pigments taken from Picasso’s white
paint, which from a material perspective is zinc oxide, and we were able to
study the impurities that are there,” Dr. Rose said.
The scientists also bought samples of decades-old house
paint on eBay. After comparing those samples with Picasso’s paint, they
determined that the two shared the same chemical makeup.
The instrument was a hard X-ray nanoprobe, developed by the
Department of Energy to give scientists a close-up view of the chemical
elements in physical materials. Its intended use is to improve the production
of high-performance materials and energies. Using the nanoprobe, the
researchers could view particles of paint that were just 30 nanometers wide. (A
typical sheet of paper is 100,000 nanometers thick.)
In his regular work, Dr. Volker uses the nanoprobe to study
zinc oxide, a key ingredient in batteries, energy-saving windows and
liquid-crystal displays for computers and television. Because zinc oxide exists
in white paint as well, it made a valuable clue for the physicist to learn
about Picasso’s paint.
Some art historians have long held that Picasso was among
the first major artists to switch from traditional artists’ paint to house
paint, which is more affordable and creates a glossy image without brush
strokes.
Tuesday, February 12, 2013
Denver Workshop, March 16-17
Ken Elliott Making it Fine Art Workshop
Denver Metro Sat-Sun, March 16-17, 2013 view flyer
This workshop has been filled. A new Denver workshop in May, 2013 ? will be announced shorty. Feel free to email me for more details and to sign up.
Other two-day Workshops 2013: Houston April 6-7
Tentative plans are in the works for two-day formal painting and pastel workshops for 2013 in Austin, Cape Cod, Atlanta, Ventura County, CA and New York. Two-day workshop: $225. per person. Some of you are interested in my traveling to your locale this year. Please contact me and let's make it happen in your state.
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Marsh in Greens and Golds oil on canvas, 48 x 60 inches sold |
Ken will be discussing strategies for making fine art and taking your art to the next level.
In his workshop:
This workshop is open to artists are all skill levels. Ken will discuss strategies for creating better artworks with a variety of common and creative tools. The workshop will focus the strategies for making better paintings, going to new places in your work and how to make fine art. Much attention will be given to improving your own artworks and career.
Ken will demonstrate painting using oil and pastel. He will discuss the idea of making strong starts and keeping the way open for more interesting and dramatic finishes. Ken is a very hands-on teacher, so there will be some collaboration if you are open to it.
In addition, Ken will talk about business and promotion, necessary to being a successful artist in the marketplace.
There will be serious discussions, laughs and your questions. We will all come away with new tools to take your art to the next level.
Complete info on my website.
Two-day workshop: $225. per
person.
This is an indoor workshop in
Ken's home, Castle Rock, CO.
This workshop is limited to only
6 artists at any skill level.
Sunday, February 3, 2013
In the Studio February 3, 2013
Here's a day in the studio. I'm finishing up a 48 x 72 inch commission. On the top left is an oil finished today, "Illuminated Autumn" (photo below) and on the floor is a framed giclee "Bright Flow." It's been a very busy and happy time in the studio lately.
Illuminated Autumn oil on canvas 30 x 40 inches
Colorful Slope oil on canvas 36 x 48 inches
I began with the smaller Illuminated Autumn and after two sessions in the studio, started on the larger Colorful Slope. It didn't take long for the larger oil to take a different direction than I had originally intended. It was very pleasurable to finish the larger oil and then return to the original concept of the smaller work. Both paintings fed each other, each creating better works than I had anticipated.
Illuminated Autumn oil on canvas 30 x 40 inches
Colorful Slope oil on canvas 36 x 48 inches
I began with the smaller Illuminated Autumn and after two sessions in the studio, started on the larger Colorful Slope. It didn't take long for the larger oil to take a different direction than I had originally intended. It was very pleasurable to finish the larger oil and then return to the original concept of the smaller work. Both paintings fed each other, each creating better works than I had anticipated.
Thursday, January 10, 2013
New Giclees, January 2013
LAST LIGHT11 1/4 x 11 1/4 inches $300. 22 x 22 $575. 27 5/8 x 27 5/8, $790.Total edition of 195, plus 15 artist proofs.Giclee print on William Turner paperAlso available on canvas and larger sizes on request
HEAT ON SHADOWS
12 X 17 inches, $325. 16 3/6 X 23, $575. and 27 1/2 x 38 $890
Total edition of 195, plus 15 artist proofs.
Giclee print on William Turner paper
Also available on canvas and larger sizes on request.
12 X 17 inches, $325. 16 3/6 X 23, $575. and 27 1/2 x 38 $890
Total edition of 195, plus 15 artist proofs.
Giclee print on William Turner paper
Also available on canvas and larger sizes on request.
Comedy / Comedians in cars getting coffee
Take a break and check out other artists talking shop and enjoying themselves. It's therapeutic and educational.
Jerry Seinfeld calls up some pals and they make a short video. Be sure to watch the Spare Parts outtakes. There are 10 videos with different comedians having coffee with Jerry.
view here: Comedians in cars getting coffee
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