Friday, September 13, 2019

New Work: Rain Moving Across, oil on canvas, 30 x 48 inches

Rain Moving Across, oil on canvas, 30 x 48 inches
Sorelle Gallery, New Canaan, CT   $5400 unframed 

It is fascinating to observe the edges of rain coming to the ground. Once I began to sketch this out on the canvas, there were some gaps in the land patterns and it struck me to turn those gaps into reflective ponds or marsh areas.

The abundance of reflective surfaces opened up the center of the painting, created more depth and made the rain effect even more pronounced. The dark areas at the top and bottom of the oil help to carry the light into the far distance.

And for good measure, the strong diagonal, other cloud forms and the waterways all point to the falling rain. It's theatre - a stage is set for the rain to make an appearance.

Monday, September 9, 2019

Grateful Notices: Waters Edge in Blue, oil on canvas, 36 x 36 inches

Waters Edge in Blue
oil on canvas, 36 x 36   private collection   Exhibited: 
Arden's Gallery, Houston


My thanks to the purchaser of this oil.

I love these rocky, coastal views and for this painting, the blues after sunset caught my attention. Each of the cascading land forms has a color of its own. Some of the rocks are in an atmospheric glow and the darker rocks express a substantial mass. It's interesting how the reds add the illusion of weight.

All of the elements here, the haze on the land as well as the water and sky are indicating motion. The color combinations flow across the oil with the last light yielding to the encroaching blues. There is a feeling that time is quickly passing and all that is aglow now will soon be gone. It is that perfect, blue moment.





Wednesday, August 28, 2019

Newsletter: August 2019

Ken Elliott's Fine Art Newsletter August 2019
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August News:

An exhibit of my new works continues at the Dominique Boisjoli Fine Art Gallery in Santa Fe through August 31. Here's a part of the exhibition:


Exhibit at the Dominique Boisjoli Fine Art Gallery, Santa Fe

Recently, I was honored to have been included into an esteemed, private collection. My many thanks to the couple that purchased this work and for the opportunity to spend time with them.


Light Coming from the Back
Oil on canvas, 36 X 36     Private collection


During my August studio time I completed 4 small smaller works on wood panels, started a few larger oils and released a new, limited edition giclee print - photos follow below. All my available works are fully listed on my website. Feel free to contact me or my galleries with any questions you may have regarding the the artworks or my art classes.

My best wishes to you for a continuing and joyful summer!
Ken


New works:

RED BORDERS
Oil on panel, 24 x 24 inches     $2150 unframed


AT THE CREEKS EDGE
Oil on panel, 24 x 24 inches     $2150 unframed


SUMMER SONG
Oil on panel, 24 x 24 inches     $2150 unframed
Sorelle Gallery, New Canaan, CT


SOFT SUMMER LIGHT
Oil on panel, 24 x 24 inches     $2150 unframed
Sorelle Gallery, New Canaan, CT


New giclee:

BRIGHTLY LIT WOODS
7 1/2 x 11 1/4 inches $300.  14 5/8 x 22  $575.  18 3/8 x 27 5/8, $790.
Total edition of 195, plus 15 artist proofs.
Giclee print on William Turner paper
Also available on canvas and larger sizes on request


Grateful Notices:

LIGHT COMING FROM THE BACK
Oil on canvas, 36 X 36     Private collection


EDGE OF THE FOREST
Oil on canvas, 36 X 36      Private collection


WINTERS MORNING III
Oil on canvas, 40 X 40      Private collection
Exhibited: Renjeau Gallery, Natick, MA


In the Galleries: 

GREEN CURTAIN
21 1/4 x 30 14  $1350 unframed
Arden's Gallery, Houston


GOLDEN MOMENT AGAINST THE REDS
Oil on canvas, 48 x 48    $8950. framed


SACCADE XII
oil on canvas, 48 x 60 inches  $10950 framed


Workshops / Private Sessions /Studio Visits:

Contact Ken to arrange a studio visit or Workshop. It is always a pleasure to meet you.

Take your work to new heights. These workshops and private sessions will focus on strategies for making better paintings, colorist tools, going to new places in your work and making fine art. We will be going deeper into making better and more appealing artworks with a variety of strategies including Photoshop insights made easy. all workshop info

Publications:

A Survey of Paintings and Prints at the PACE Center
with works in oils, pastels and monotypes. This exhibition catalog can be purchased online here.
30 color pages and text by the artist. $10 plus $4 postage.


Ken Elliott American Landscapes coffee table book:

Ken Elliott book, American Landscapes
This large coffee table book reprises 25 years of my works in oil, pastel, monotype, etching and collage.Large, coffee table hardback version, 11 x 13 inches, 94 color pages with essays. Book and a signed giclee print of the cover image: $150 or just order the book for $115.

Also available as an iBook / download on Apple devices for $9.99. You can preview the complete book and how to order your electronic or hardback versions from my website.


My Blog, For the Color


Want to follow along in my studio?
Come across some interesting art bits and intriguing posts from elsewhere? Check out my artist's blog: For the Color and on the right of the blog under Followers, click Join this Site. Right now you can view vintage videos of Renoir, Degas, a Piet Mondrian video montage, comments about my works and observations about museum artworks from some recent trips.


View my newest artworks:
This monthly newsletter is the best way to stay up to date with my new works and events. You can also follow me on Facebook and go more in depth with my blog, For the Color. To view the total of my works in all media and in all my galleries, go to www.kenelliott.com
Thank you,
Ken
Contact Ken

303-995-1611
email
website

Sign up for my Art Blog: For the Color

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Image top, cropped:
SUMMER SONG
Oil on panel, 24 x 24 inches     $2150 unframed
Dominique Boisjoli Fine Art, Santa Fe, NM
More about this oil on Ken's blog, For the Color
American Art Collector Magazine:

"Elliott's canvases display the strikingly vivid modern hues in which he chooses to render his contemporary landscapes." 

Southwest Art Magazine:
Although his paintings loosely reference photographs and plein-air sketches, they refuse to exist within the confines of already-prescribed images.

Rather, they stand independent of any specific place or time, the fulfilled pursuits of the artist’s visual and intellectual explorations.

Elliott wields color boldly, creating sizzling, vibrant shapes that are at once kinetic and placid, grounded in unifying illumination, and focused compositions.

He has a fascination with line structure as well, believing that “edges empower colors.” 

Private Lessons and studio visits:
I have really enjoyed giving private lessons individually or with groups over the years. It is casual, focused and fun. It is always a pleasure welcoming collectors into my studio, please email me a call to arrange a time.

The workshops are very stimulating and you will see a big result in your approach to making fine art and clarity on your career strategies. Let's discuss what works best for you.

Transportation can be provided for the Castle Rock Workshops.


What they are saying:

"I had a clue what might be in store for my friends, but it went WAY beyond. You have a real gift. What a FANTASTIC couple of days!!!’

L.

"Your painting demonstrations and the information you gave us  was invaluable- no wonder your paintings are so moving. I so enjoyed meeting you. Thank you for coming to Virginia."
S.


"Thank you so much for the wonderful, thought compelling workshop. You rekindled my love for making art. Your enthusiasm is contagious and felt throughout the room. You set up a stimulating environment that provided continuous visual images and your generosity in sharing those photos was much appreciated. I found you to be humorous, supportive and kind. I would recommend you as an instructor to anyone who would like to take their art to the next level."
"I can't thank you enough for coming to Boulder! Thank you for your clear eye, your hard work, your beautiful color and your careful feedback. I'm now a different Painter...maybe a different person?

I loved the weekend. And I can't wait until we get to soak up your love for the work, for Wolf Kahn, for COLOR -- yet again (note that I'm greedy). You are an amazing addition to our lives."
M.

"Thank you so much for lighting up our lives and our paintings at this past weekend’s workshop! I loved hearing about your time with Wolf Kahn, your thoughts on painting, the beautiful demo, and of course the great feedback you provided us on our own paintings."

"You really reignited my desire to paint freely. Thanks also for your generosity in sharing the numerous links."

"I hope to spend another weekend painting with you sometime soon."
B.H.

"Thank you for the workshop! It was a great two days. You are an amazing host and instructor, (two things that don’t always work together).

"You pulled something from each of us and it was wonderful to be a part of it. Thanks to the moon and back,"
V.

"Thank you Ken. It was a wonderment! I learned so much."
Kathy

"I so enjoyed meeting you and being part of the workshop. You got me on fire!!!!!"
Ed
"Wow! My weekend of private lessons was fabulous! While I was there I stepped into a whole new world that my soul was calling for."

"Wonderful conversations, a beautiful time with great art everywhere and artistic success!"
K.

"It was a fabulous workshop! I know we all had a lot of fun and really enjoyed having you here. We would love to have you come back again next year!"
D.

"Just wanted to thank you again for a very inspiring, informative, and fun workshop. I worked LARGE today!"
M.
"Thank you for all your inspiration!"
D.

"Thanks SO VERY MUCH, Ken, for such a fun, informative, and energetic workshop. Your enthusiasm is contagious. What a wonderful weekend!!"
C.

"When I signed up for a painting workshop, who knew that it would be so much more.Thank you Ken. For your kindness, generosity of spirit, and sharing your knowledge and skill of painting with us."

"Thank you to everyone for making our time together a magical weekend which will be cherished. Fortunately the universe provided me with what I needed, whether I knew it or not."
L.

"Love the class, you are a great teacher!"
B.
"I feel so enriched and on fire to paint big and glowing colors. If you ever get a chance to study with Ken Elliott, I highly recommend him. If you need help getting to his workshops just read his book Manifesting 123"
F.
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Sunday, August 25, 2019

New Work: Red Borders, oil on panel, 24 x 24 inches

Red Borders
Oil on panel, 24 x 24 inches     $2150 unframed
Dominique Boisjoli Fine Art, Santa Fe, NM

It is always an interesting exercise to paint a piece with one predominant color. In this case, it's these red trees. My original idea was to make the trees fill the entire area, but as the painting moved forward, a different composition presented itself.

A bright stripe emerged and that became the lake or stream. From there, the composition began to move back into the space behind the trees, opening up the opportunity to try out more reds. The sky and blue hill in the far back helped to frame the red trees in the back and it made for a more interesting composition.

Funny how the painting will make demands on the artist and those background trees were very insistent on being more interesting than I had first intended. After 3-4 different experiments and variations, the far trees settled into place and from there, it is was a matter of bringing is more color and light where needed.

Funny how the background ended up taking much more time than the trees in front. The extra effort made for a far better oil with extra complexity and two more reds... it's like the cherry on top!


Monday, August 19, 2019

New Work: At the Creeks Edge, oil panel, 24 x 24 inches

At the Creeks Edge
Oil panel, 24 x 24 inches  $2150 unframed
Dominique Boisjoli Fine ArtSanta Fe, NM

This small group of trees in the meadow got my attention. The foreground had a small path running through it and the background was a large line of darker trees. Everything was green and from the start, I set out to create something more interesting.

The painting was ‘completed’ 4 or 5 times and after each try, I noticed an opportunity to make the oil even better. All of the changes might sound frustrating to some, but the chance for improvement is very appealing to me.

One of the early changes was to convert the path into a creek that made a reflective ribbon, dividing the grasses in the foreground.

The background went through many alterations with each change, more complexity and color intensity emerged. It is easy to overwork these pieces as the painting went forward, I took care to add intricate layers and interest to the trees, not diminishing their appeal.

Finally, everything was made brighter and the colors were enrichened. It felt good to put my signature on this one.


Sunday, August 11, 2019

Grateful Notices: Water, Land and Sky in Flow Oil on canvas, 36 X 60

Water, Land and Sky in Flow
Oil on canvas, 36 X 60   Private collection, CT
Exhibited: Sorelle Gallery, New Canaan, CT

The way light plays on the surface of lakes is a constant fascination to me. With this oil the lake is a factor but it is equally weighted with the bright, yellow trees in the distance.



This is likely the 5th or so version of this arrangement. As the painting progressed through the different trials, more glowing colors emerged and the overall look of the oil continued to get brighter. 

Each trial yielded a completed painting but after a few days of viewing what I had, those brighter shapes called out for more to be done. In this final version, there is movement everywhere, carried along by the changes in colors and in the way that the mass of the trees and cloud bank are surrounded by the atmosphere in the upper sky its reflection on the lakes surface. 

As it turns out, the painting titled itself.