11 1/4 x 11 1/4 inches $300. 22 x 22 $575. 27 5/8 x 27 5/8, $790.
Total edition of 195, plus 15 artist proofs.
Giclee print on William Turner paper
Also available on canvas and larger sizes on request
Take your work to new heights. These workshops and private sessions will focus on strategies for making better paintings, colorist tools, going to new places in your work and making fine art. We will be going deeper into making better and more appealing artworks with a variety of strategies including Photoshop insights made easy. all workshop info
Ken ElliottAmerican Landscapes coffee table book:
This large coffee table book reprises 25 years of my works in oil, pastel, monotype, etching and collage.Large, coffee table hardback version, 11 x 13 inches, 94 color pages with essays. Book and a signed giclee print of the cover image: $150 or just order the book for $115.
Also available as an iBook / download on Apple devices for $9.99. You can preview the complete book and how to order your electronic or hardback versions from my website.
My Blog, For the Color
Want to follow along in my studio? Come across some interesting art bits and intriguing posts from elsewhere? Check out my artist's blog: For the Color and on the right of the blog under Followers, click Join this Site. Right now you can view vintage videos of Renoir, Degas, a Piet Mondrian video montage, comments about my works and observations about museum artworks from some recent trips.
View my newest artworks:
This monthly newsletter is the best way to stay up to date with my new works and events. You can also follow me on Facebook and go more in depth with my blog, For the Color. To view the total of my works in all media and in all my galleries, go to www.kenelliott.com
"Elliott's canvases display the strikingly vivid modern hues in which he chooses to render his contemporary landscapes."
Southwest Art Magazine: Although his paintings loosely reference photographs and plein-air sketches, they refuse to exist within the confines of already-prescribed images.
Rather, they stand independent of any specific place or time, the fulfilled pursuits of the artist’s visual and intellectual explorations.
Elliott wields color boldly, creating sizzling, vibrant shapes that are at once kinetic and placid, grounded in unifying illumination, and focused compositions.
He has a fascination with line structure as well, believing that “edges empower colors.”
Private Lessons and studio visits: I have really enjoyed giving private lessons individually or with groups over the years. It is casual, focused and fun. It is always a pleasure welcoming collectors into my studio, please email me a call to arrange a time.
The workshops are very stimulating and you will see a big result in your approach to making fine art and clarity on your career strategies. Let's discuss what works best for you.
Transportation can be provided for the Castle Rock Workshops.
What they are saying:
"I had a clue what might be in store for my friends, but it went WAY beyond. You have a real gift. What a FANTASTIC couple of days!!!’
"Your painting demonstrations and the information you gave us was invaluable- no wonder your paintings are so moving. I so enjoyed meeting you. Thank you for coming to Virginia." S.
"Thank you so much for the wonderful, thought compelling workshop. You rekindled my love for making art. Your enthusiasm is contagious and felt throughout the room. You set up a stimulating environment that provided continuous visual images and your generosity in sharing those photos was much appreciated. I found you to be humorous, supportive and kind. I would recommend you as an instructor to anyone who would like to take their art to the next level."
"I can't thank you enough for coming to Boulder! Thank you for your clear eye, your hard work, your beautiful color and your careful feedback. I'm now a different Painter...maybe a different person?
I loved the weekend. And I can't wait until we get to soak up your love for the work, for Wolf Kahn, for COLOR -- yet again (note that I'm greedy). You are an amazing addition to our lives." M.
"Thank you so much for lighting up our lives and our paintings at this past weekend’s workshop! I loved hearing about your time with Wolf Kahn, your thoughts on painting, the beautiful demo, and of course the great feedback you provided us on our own paintings."
"You really reignited my desire to paint freely. Thanks also for your generosity in sharing the numerous links."
"I hope to spend another weekend painting with you sometime soon." B.H.
"Thank you for the workshop! It was a great two days. You are an amazing host and instructor, (two things that don’t always work together).
"You pulled something from each of us and it was wonderful to be a part of it. Thanks to the moon and back," V.
"Thank you Ken. It was a wonderment! I learned so much." Kathy
"I so enjoyed meeting you and being part of the workshop. You got me on fire!!!!!" Ed
"Wow! My weekend of private lessons was fabulous! While I was there I stepped into a whole new world that my soul was calling for."
"Wonderful conversations, a beautiful time with great art everywhere and artistic success!" K.
"It was a fabulous workshop! I know we all had a lot of fun and really enjoyed having you here. We would love to have you come back again next year!" D.
"Just wanted to thank you again for a very inspiring, informative, and fun workshop. I worked LARGE today!" M.
"Thank you for all your inspiration!" D.
"Thanks SO VERY MUCH, Ken, for such a fun, informative, and energetic workshop. Your enthusiasm is contagious. What a wonderful weekend!!" C.
"When I signed up for a painting workshop, who knew that it would be so much more.Thank you Ken. For your kindness, generosity of spirit, and sharing your knowledge and skill of painting with us."
"Thank you to everyone for making our time together a magical weekend which will be cherished. Fortunately the universe provided me with what I needed, whether I knew it or not." L.
"Love the class, you are a great teacher!" B.
"I feel so enriched and on fire to paint big and glowing colors. If you ever get a chance to study with Ken Elliott, I highly recommend him. If you need help getting to his workshops just read his book Manifesting 123" F.
Lake Sunset, Color Dialog Oil on panel, 24 x 24 Private collection Exhibited:Saks Galleries, Denver
For this painting I wanted to do an evening scene without using the typical sunset colors. So rather than resorting to the use of bright, warmer colors, everything is shifted downward. The light is not intense and the palette is predominately blues and greens. A lot of color is in play here but in a subdued way.
In the last painting session I added the glowing highlights to the water in the foreground. The painting was doing well overall but the water was lacking something. Once the lighter accents were added the water began to glow and I was actually surprised at how much stronger it made the painting overall.… A very satisfying conclusion.
Cloudswept in Blue Oil on panel, 24 x 24 Private collection Exhibited:Saks Galleries, Denver
As it was the previous oil, I wanted to do another sunset effect without the usual warm tones. The colors here are severely limited to a number of blues and a couple of purple hues.
The upper part of the painting it is intentionally more opaque and dark. The snow field at the bottom is reflecting the light but it still has just enough density to allow the atmosphere in the center section to retreat backward and set up a glow the permeates the entire scene.
It’s a quiet piece, reminiscent of those silent, snow-covered fields, but if you look carefully, there’s always something a little unexpected and electric in the scene.
My sincere thanks to the collector who purchased these two oils.