Wednesday, April 15, 2020

New Work: The Light in the World I and II, oil on panel and canvas

The Light in the World
Oil on panel, 40 x 40 inches    Saks Galleries, Denver, CO, $6650 framed


The Light in the World
Oil on panel, 24 x 24 inches
Private collection 

It was a great honor to have recently have toured the Holy Land with a group wonderful people from Steamboat Springs, Colorado. Fortunately, we safely exited the country just before the virus began appearing there. There are so many good memories of the people, places and experiences.

Our guides kept us busy every day and although we took a lot of photos, they were mostly of the sights with very few that were the sort of scenes that I would be painting from. 

An exception to the daily travel photos was an evening in Jordan at a nice hotel on the edge of the Dead Sea. I was sitting alone with this long, unobstructed view across the water to Israel. It was a quiet evening before sunset and I had the long promenade to myself. As the light was changing, I began to shoot the scene. There may be art in this... As it turns out, I did the 24 x 24 study on panel and used to for the larger, 40 x 40 oil on canvas.

After my return to the U.S., I kept thinking about that evening and how to create a compelling painting from that idea. Ignoring the main color from the photos, I was struck by the tiny bit of orange-yellow of the sunset in a portion of the photo and I decided to create a painting exclusively with those glowing colors. I rejected the sunset portion by using a heavy crop on the photos, just leaving a portion of the long shoreline, sea and sky.

Once the painting began, the land mass became the compositional anchor and the place where the colors started to flow. As the painting progressed, the flow became an important part of the sea and sky as well. I didn't catch it at the time, but my insistence on this limited group of colors and movement in every part of the scene is what made it all come together in an interesting way.

As I was adding the last brushstrokes to the work, a title came to me, something that touches us all, "The Light in the World."





Sunday, April 12, 2020

Grateful Notices: Soft Forest Blues, oil on canvas, 40 x 40 inches

Soft Forest Blues, oil on canvas, 40 x 40 inches
Exhibited: Sorelle Gallery, New Canaan, CT

My thanks to the collector for purchasing my work and to Sorelle Gallery for gracefully making it all possible.

A bit about this oil:

The goal here was to do a forest with blues woven into the composition. I wanted something subtle without the blues being primary. It's easy to use blues to make trees but it's difficult to make them believable.

All of the colors are greyed down, even the darks and lights, allowing the different blues to gently glow in the background. The numerous trunks and branches create a lot of complexity, all to create a veil for the blue hues. The line of trees is bordered with that bit of sky and the muted orange below, a bit of reality to bring it all together.

Finally, the foreground was muted even more, allowing the other subtleties in the painting a chance to be noticed.


Sunday, April 5, 2020

Grateful notices: At the Pond's Edge, oil on canvas, 48 x 60 inches

At the Pond's Edge, oil on canvas, 48 x 60 inches
Exhibited by: Sorelle Gallery, New Canaan, CT
Video: Ken discusses the making of this oil 

This is a painting that was in progress during three seasons, Fall, Winter and then Spring. Each season was represented here at one time and eventually painted over with the following season. The process was enjoyable and a lot of color work was done but this large oil took up a long studio residence in what seemed like the season of perpetual indecision.

Once Spring appeared in the studio window, green solutions presented themselves. Yes? No? The greens were tried and failed but they did work nicely in the lower portion of the blue trees. Spring with blue trees? In this case yes, and when the blues blended into the greens mentioned earlier, the painting began to come to life.

Add the aqua in the background for more drama and for good measure, the yellow tips catching light at the top of the painting.

In the end, what seemed to make this oil work were the contrasts between the darker trees and the light yellow/greens at the top and bottom. Care was taken to soften the sky and foreground, further increasing the effect of mass in the center trees.

Throughout it all, the oil was telling me what to do and I followed along, not being concerned about the time it was taking.

Thursday, April 2, 2020

Grateful Notices: All Over Sunset, Study, pastel on paper, 13 3/8 x 17 7/8

ALL OVER SUNSET, STUDY
Pastel 13 3/8 x 17 7/8 Private collection, Vancouver, Canada Exhibited: Page Waterman Gallery, Wellesley, MA

A very good friend in Florida sent me a photo of a sunset through the trees while on her walk. I kept coming back to that image and finally, I gave it a shot in pastel. The trees had a nice vertical aspect and they were very close together, a great set up for a more abstracted piece.

As the image progressed it became a playground for different colors. At first, it was all in warm tones and as the pastel moved forward, the blues and reds created more interest and interesting contrasts.

When it was done, I wanted more of that composition so, I started a 4 x 6 canvas and it worked out to be a very successful painting.

My thanks to R. who supplied the inspiration and to the collector in Vancouver that contacted me. It was very satisfying to make the sale and the conversation that followed was remarkable. Many thanks to you as well.

Monday, March 30, 2020

Commissions

Bight Patterns    Oil on canvas, 48 X 60     Collection, Columbine Country Club, Denver

Throughout the year, Ken is involved in a number of commissions for a variety of clients, private and public, across the country.

He was worked on sizes suitable for residences and as large as 6 x 18 feet for public spaces. 
His works have also been used in major motion pictures and TV productions.

Email Ken to begin the conversation or call 303-995-1611



6 x 18 ft continuous canvas commission for a prominent East Coast Hospital


Double commission for Massachusetts General Hospital, Boston


For that special and unique artwork, consider Ken for your private and corporate commissions








Collections: partial listing

Hewlett Packard
Coopers and Lybrand                        
Kaiser-Permanente                    
Ritz Hotel, Denver
Four Seasons Hotel, Denver
St. Anthony's Hospital, Denver
Panhandle Eastern                   
National Dairy Board                
Grubb and Ellis, Denver
Marriott Hotels
Holland America Cruise Line
Stanford Cancer Center, Palo Alto
Tufts New England Medical Center
Pinnacol Denver Hospice, CO 
Mayo Clinic, Rochester, Minnesota
Massachusetts General Hospital, Boston
Gaylord Rockies Resort & Conference
    Center Aurora, CO
Vail Mountain Club, Vail, CO
Yampa Valley Medical Ctr, Steamboat Springs, CO
Vectra Bank, CO
Blue Shield
Hitachi
The David and Lucile Packard Foundation
Glenmoor Country Club, Denver
Project Energy
  St. John’s Mercy Medical Center,
    Creve Coeur, MO
Rose Medical Center, Parker, CO
Spectrum Health Butterworth Hospital,
     Grand Rapids, MI
Magnet Bank, Atlanta
Ford, Harrison Law, Atlanta
Lowry Medical Center, Denver
Town and Country Hospital, Houston
Jones and Keller, Denver
Raychem
Birch Hill Investment Advisors, Boston
Avista Hospital, CO



Sunday, March 22, 2020

Private Mentoring Sessions


We are all looking to to improve as artists but how do we go about it? How can we be more successful artistically and professionally?


In this 4 month mentoring course you will be given the tools for creating better artworks, open your creativity and career focus.

This is open to all skill levels, media, and styles.

The $600. course will consist of one hour each month over 4 months on a video call. During the length of this course you will be working on your art using strategies for improvement and artistic success.

There will be assignments each month and Ken will be working in the time between for you as well.

You will determine your goals and with Ken's help, you will have the inspiration, confidence and skills to efficiently hit the marks as a professional and successful artist.


IN THIS COURSE:

 
As an artist:
Setting your goals
Determining your artistic direction
Styles and motifs
Attitude


The course fee is paid in advance and your scheduling dates are flexible.
Courses will open to a limited number of participants.

Contact Ken


Register with Pay Pal on the website Mentoring Page


What they are saying...

"I had a clue what might be in store for my friends, but it went WAY beyond.
You have a real gift. FANTASTIC!!!"

"Thank you, Ken. I have to confess this is stretching my boundaries farther

than they've been pushed in a long time! But I'm excited to go where I've
certainly never gone before!"



BLUE WISH
Oil on canvas, 36 X 36 inches $5100 unframed
Sorelle Gallery, New Canaan, CT




March 2020 Newsletter

Ken Elliott's Fine Art Newsletter March 2020
View this email in your browser

March News:

About the Virus... since we are all up to date, I would like to simply add this.




Sadly, one of the great American artists recently passed. Wolf Kahn was a very big influence on many levels to me. I was fortunate to have studied him for a month at a masters class in Santa Fe, NM. He was instrumental in pointing me, a very green artist, in a good direction with solid advice. I do cherish the many times we had together and his remarkable works live on. His wife, the remarkable painter, Emily Mason, passed three months earlier. I hope they are enjoying themselves!
 

Here are a couple of his videos: Wolf Kahn Landscape Painter, and Wolf Kahn at Niagara Falls. If you watch carefully, you will see secrets revealed. Also, here is his obituary from The Washington Post


Now for a joyful gift
While we are in our homes, we can virtually tour 500+ cooperating world museums working with Google.The arts touch us on so many levels - breathe deeply here.

And now that there are less distractions these days, I'm finding that many artists, including me, are feeling inspired to dig deeper and further enrich the world with art. It's a wonderful motivator!

Please note that galleries everywhere are working on reduced hours or by appointment, but all works are available for viewing online and the galleries are available by phone and email. Give yourself a lift and view the remarkable works of art online. Change your view and see the world as the artists do!

My workshop in the Denver Metro has been announced - more info below. Feel free to contact meabout having one in your area.

Let's embrace the good in the world and be safe.
Ken
 

New Works:


FOREST PLACIDO
Oil on canvas, 40 X 48 inches     $6750 framed
Saks Galleries, Denver, CO
More about this oil on Ken's blog, For the Color


In the Galleries:  


ALL OVER SUNSET, STUDY
Pastel 13 3/8 x 17 7/8        $2150 framed
Page Waterman Gallery, Wellesley, MA



GLOWING TREE LINE
Oil on canvas, 30 x 40 inches     $5250 framed
In the studio



BRILLIANT FOREST
Oil on canvas, 40 x 40     $6650 framed
Gallery 89, Steamboat Springs, CO
More about this oil on Ken's blog, For the Color



WINTER CONTRAST
Pastel 15 1/4 x 19 1/8   $2700. framed
Sorelle Gallery, New Canaan, CT
More about this pastel on Ken's blog, For the Color



FOREST SEQUENCE I
Oil on canvas, 48 X 120 inches on two 48 x 60 inch canvases.
$23500 unframed    Sorelle Gallery, New Canaan, CT
More about this oil on Ken's blog, For the Color

Video / Ken discusses this oil



SACCADES XIV
Oil on canvas, 50 x 50 inches     $9850 framed
Saks Galleries, Denver
More about this oil on Ken's blog, For the Color

About the Saccades Series:
"Since the late 19th century, researchers have been aware of the phenomenon of saccades, the rapid movement of the eye as we shift our attention from one thing to another. As a result, vision itself is discontinuous. We construct a “map of reality” from saccades much as a film editor puts together a scene from individual camera takes."
From an article by the film maker Earl Morris, NY Times       more on my blog


Workshops / Private Sessions /Studio Visits:
New 2020 Making it Fine Art Workshop, Denver Metro:
Sat - Sun June 6-7
Limited to 6 artists, 2 spaces left
More information below. Please inquire
$390 per person.
Complete info on the Workshops page
Private lessons by appointment.


Here's a video about what happens in the Group and Private Workshops

Contact Ken to arrange a studio visit or Workshop. It is always a pleasure to meet you.

Take your work to new heights. These workshops and private sessions will focus on strategies for making better paintings, colorist tools, going to new places in your work and making fine art. We will be going deeper into making better and more appealing artworks with a variety of strategies including Photoshop insights made easy. all workshop info
 
Ken Elliott American Landscapes coffee table book:

Ken Elliott book, American Landscapes
This large coffee table book reprises 25 years of my works in oil, pastel, monotype, etching and collage.Large, coffee table hardback version, 11 x 13 inches, 94 color pages with essays. Book and a signed giclee print of the cover image: $150 or just order the book for $115.

Also available as an iBook / download on Apple devices for $9.99. You can preview the complete book and how to order your electronic or hardback versions from my website.
 
 
My Blog, For the Color


Want to follow along in my studio?
Come across some interesting art bits and intriguing posts from elsewhere? Check out my artist's blog: For the Color and on the right of the blog under Followers, click Join this Site. Right now you can view vintage videos of Renoir, Degas, a Piet Mondrian video montage, comments about my works and observations about museum artworks from some recent trips.


View my newest artworks:
This monthly newsletter is the best way to stay up to date with my new works and events. You can also follow me on Facebook and go more in depth with my blog, For the Color. To view the total of my works in all media and in all my galleries, go to www.kenelliott.com
Thank you,
Ken
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Image top, cropped here:
All Over Sunset, Study
Pastel, 13 3/8 x 17 7/8     $2150 framed
Page Waterman Gallery, Wellesley, MA
American Art Collector Magazine:

"Elliott's canvases display the strikingly vivid modern hues in which he chooses to render his contemporary landscapes." 
Southwest Art Magazine:
Although his paintings loosely reference photographs and plein-air sketches, they refuse to exist within the confines of already-prescribed images.

Rather, they stand independent of any specific place or time, the fulfilled pursuits of the artist’s visual and intellectual explorations.

Elliott wields color boldly, creating sizzling, vibrant shapes that are at once kinetic and placid, grounded in unifying illumination, and focused compositions.

He has a fascination with line structure as well, believing that “edges empower colors.” 

Private Lessons and studio visits:
I have really enjoyed giving private lessons individually or with groups over the years. It is casual, focused and fun. It is always a pleasure welcoming collectors into my studio, please email me a call to arrange a time.

The workshops are very stimulating and you will see a big result in your approach to making fine art and clarity on your career strategies. Let's discuss what works best for you.


What they are saying:

"I had a clue what might be in store for my friends, but it went WAY beyond. You have a real gift. What a FANTASTIC couple of days!!!’

L.

"Your painting demonstrations and the information you gave us  was invaluable- no wonder your paintings are so moving. I so enjoyed meeting you. Thank you for coming to Virginia."
S.


"Thank you so much for the wonderful, thought compelling workshop. You rekindled my love for making art. Your enthusiasm is contagious and felt throughout the room. You set up a stimulating environment that provided continuous visual images and your generosity in sharing those photos was much appreciated. I found you to be humorous, supportive and kind. I would recommend you as an instructor to anyone who would like to take their art to the next level."
"I can't thank you enough for coming to Boulder! Thank you for your clear eye, your hard work, your beautiful color and your careful feedback. I'm now a different Painter...maybe a different person?

I loved the weekend. And I can't wait until we get to soak up your love for the work, for Wolf Kahn, for COLOR -- yet again (note that I'm greedy).You are an amazing addition to our lives."
M.

"Thank you so much for lighting up our lives and our paintings at this past weekend’s workshop! I loved hearing about your time with Wolf Kahn, your thoughts on painting, the beautiful demo, and of course the great feedback you provided us on our own paintings."

"You really reignited my desire to paint freely. Thanks also for your generosity in sharing the numerous links."

"I hope to spend another weekend painting with you sometime soon."
B.H.

"Thank you for the workshop! It was a great two days. You are an amazing host and instructor, (two things that don’t always work together).

"You pulled something from each of us and it was wonderful to be a part of it. Thanks to the moon and back,"
V.

"Thank you Ken. It was a wonderment! I learned so much."
Kathy

"I so enjoyed meeting you and being part of the workshop. You got me on fire!!!!!"
Ed
"Wow! My weekend of private lessons was fabulous! While I was there I stepped into a whole new world that my soul was calling for."

"Wonderful conversations, a beautiful time with great art everywhere and artistic success!"
K.

"It was a fabulous workshop! I know we all had a lot of fun and really enjoyed having you here. We would love to have you come back again next year!"
D.

"Just wanted to thank you again for a very inspiring, informative, and fun workshop. I worked LARGE today!"
M.
"Thank you for all your inspiration!"
D.

"Thanks SO VERY MUCH, Ken, for such a fun, informative, and energetic workshop. Your enthusiasm is contagious. What a wonderful weekend!!"
C.

"When I signed up for a painting workshop, who knew that it would be so much more.Thank you Ken. For your kindness, generosity of spirit, and sharing your knowledge and skill of painting with us."

"Thank you to everyone for making our time together a magical weekend which will be cherished. Fortunately the universe provided me with what I needed, whether I knew it or not."
L.

"Love the class, you are a great teacher!"
B.
"I feel so enriched and on fire to paint big and glowing colors. If you ever get a chance to study with Ken Elliott, I highly recommend him. If you need help getting to his workshops just read his bookManifesting 123"
F.
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