I had to laugh at myself, now I've created two problem canvases, but that's the nature of all the other artworks currently in the studio.
Continuing to work on the smaller oil, I opted for a mountainside at the bottom with slight details in order to make the sky the prominent feature of the oil. Surprisingly, I had to add another line of hills at the very bottom to make that land portion more interesting. It also gave the mountain above it even more mass and created a nice counterpart to the illuminated sky patterns.
Getting back to the larger oil, I went the other direction with the land mass, adding considerably more detail and brighter colors to the sky and the foothills. As the panting developed, I pushed the brights, setting up more contrast and drama.
With both of these oils the primary motivators were the painting themselves. Although they are similar, I followed where each painting took me, working through options unique to to each oil and striving to reach the best result.
Getting back to the larger oil, I went the other direction with the land mass, adding considerably more detail and brighter colors to the sky and the foothills. As the panting developed, I pushed the brights, setting up more contrast and drama.
With both of these oils the primary motivators were the painting themselves. Although they are similar, I followed where each painting took me, working through options unique to to each oil and striving to reach the best result.
Radiant View oil on panel, 30 x 30 inches |
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