Making it Fine Art Workshop: Moving to the Next Level 3-Day Workshop with Ken Elliott

Castle Rock, Colorado (Denver metro)
June 7-9, Friday - Sunday, 9-4pm

Sat. evening after break, 4:30 -7: Photoshop Tools and discussions.

Open to artists at all skill levels and media
An indoor, 3-day workshop
Limited to 6 artists, $590.

To register / more information
Workshop flyer 
Contact Ken: 303-995-1611

 Ken will discuss strategies for creating better artworks with a variety of common and creative tools. The workshop will focus on concepts for making better starts, compelling artworks, going to new places in your work, and how to make fine art. They will use informative videos and pass on strategies, some not the literature, but handed down from the very best teachers. 

Together, we will be going deeper into the how-to of making more appealing artworks with a variety of ideas and tools. ​After the day's sessions, the group is invited to further discussions and dinner. After the Sunday session, Ken will present Photoshop techniques for taking your works to the next level and creating better pathways for finishing your artworks. You will be given a simplified Photoshop guide and have access to a large photo file of over 2000 inspiring artworks.

Ken will demonstrate painting using oil and pastels, if requested. In addition to making art works, Ken will talk about business and promotion, necessary tools for success in the marketplace.

There will be serious discussions, laughs, and your questions with more continuing after class hours. We will all come away with new tools to take your art to the next level.

Ample time will be given to live problem solving, daily critiques and creative options.

 

New Work: Bright Flow II, oil on canvas, 24 x 48 inches

 

Bright Flow II, oil on canvas, 24 x 48 inches
$4750 framed
 
 
About this oil:
I was very intrigued by the idea of a stand of bright, yellow trees fading into the shadows. Moving from bright to dark is also an opportunity to use an array of colors to make it happen and I looked forward to watching it play out.
 
The accuracy of the tree forms is secondary to the color and possible combinations. It’s all about making that yellow form glow and move. The tree on the right creates a stage of sorts and the stream below is useful to amplify the yellows and to provide the surprising reds on the lower left.
 
It all sounds simple enough but I started on this oil about a year ago, working on it on and off during that time. Sometimes the simple must have its season.

New Work: Yellow Day, oil on canvas, 30 x 40 inches

Exhibiting: Saks Galleries
$5250. framed
 
One of the joys of being an artist, particularly one that loves color, is the freedom to make chromatic arrangements and let the colors go where they lead.
 
I do like this line of trees and the arrangement is very useful for a variety of color experiments. For this oil, the idea was to create a yellow line of trees, but what of the other elements and  their contribution to the finished work? 
 
As this piece evolved, I put in hints of blues behind the trees to make something happen. It  created an immediate statement and it was as if the blues were insisting on more. So to make a more interesting subject, I laid in purples on the right and to create an interesting flow and separation, aquas were added at the center.
 
After a break of a couple of days, I was considering the idea of making this a soft, poetic piece but I pushed on with a stronger yellow for the field. Once everything was in place, it was a matter of how bright to make the oil. With each successive studio session, small accidents were added, with the sky as a combination of very pale colors. The idea was to turn the yellows loose against that bright sky and wedge the blues in between the trees and field. With that, all the colors would be at their maximum intensity, but somehow making a believable forest. 
 
In the end, it was a happy, yellow day in the studio.