Sunday, December 30, 2018

Grateful Notices: Color at the Edge of the Lake, oil on canvas, 30 x 48 inches

Color at the Edge of the Lake, oil on canvas, 30 x 48 inches
Private collection
Exhibited: Dominique Boisjoli Fine Art, Santa Fe, NM

It was a nice surprise to get a call from Dominique with the news that one of her clients had just purchased this painting for their home. I was in the Colorado mountains at the time with views of a snowy paradise all around and the gallery call just capped an already perfect day. Thank you!

Here are the earlier blog notes describing this painting:

I was visiting a friend in the Baltimore area some years ago and came across a photo from that trip, a small stand of trees at the edge of a lake. The photograph was very different, with even lighting and all green foliage.

Regardless, I liked the composition and began the painting with a somewhat subdued palette. After a few sessions, the painting evolved into scene with the light coming in from the back, accentuating the dark trunks in the foreground,

There is a lot of color involved, each with its own part of the tapestry. Earlier, the foreground was darker with more blues but I later opted for a soft carpet of jewel tones spaced among the slightly glowing greens. 

At this point, the subdued palette idea went out the window once I added the more powerful colors to the wall of trees beyond the lake. It was a delight to push the color back there and now I'll pass it onto you.


Thursday, December 20, 2018

New Work: Saccade XII, oil on canvas, 48 x 60 inches

Saccade XII, oil on canvas, 48 x 60 inches  $10950 framed
Dominique Boisjoli Fine Art, Santa Fe, NM

It is good to have a series of paintings to work through, In this 11th Saccade, a very textural painting developed because I worked over another from 4-5 years ago. The heavy impasto took me back to those Monet's and it was a joy to create a forest with all of that ready-made texture.

The purpose of the Saccades is to create a painting without a singular point of interest. It presents a number of problems, first being that all the areas on the canvas are equally interesting. This is a good practice for most paintings anyway, so this oil puts that idea to task.

There is the additional game in play here and that is depth. The viewer gets the impression of being in the darker part of the forest looking out. The light is there, but nothing much is revealed. 

There is this considerable forest pattern effect across the 4 x 5 foot space. It has an abundance of complexity and juuuuust enough depth to be an intriguing presence on the wall.



About the Saccades Series shown here:
"Since the late 19th century, researchers have been aware of the phenomenon of saccades, the rapid movement of the eye as we shift our attention from one thing to another. As a result, vision itself is discontinuous. We construct a “map of reality” from saccades much as a film editor puts together a scene from individual camera takes." From an article by the film maker Errol Morris, NY Times

Monday, December 17, 2018

New Work: Iridescent Lake II, oil on panel, 24 x 24 inches

 Iridescent Lake II, oil on panel, 24 x 24 inches  $2450 framed

Sometimes you just want to do a painting in a different way. This #II version is very similar to the first version below and the obvious difference is the yellow color shift. With this newer version, I opted for more open brush work and it yields a different quality to all of the elements in the scene.

Each time a new work is started, it presents new opportunities for learning and experimentation and as these two works show, so-called small changes can produce big effects.


Iridescent Lake II
Oil on panel, 24 x 24  $2450 framed
Dominique Boisjoli Fine Art, Santa Fe, NM

Here's the earlier blog post for this oil